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Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
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2077
Herbstauktionen 06.–08.12.2012
Schlemmer, Oskar
1888 Stuttgart - 1943 Baden-Baden.
«Helle Mittelfigur (light middle figure)». Pencil and crayon on paper. Dated 1736 (= 17.03.1936) lower left in pencil, part of a stamp lower right. Verso abstract pencil drawing. Two glued tears. Passepartout. Unframed. Provenance: estate of the artist; afterwards private collection Stuttgart. Catalogue raisonné: Grohmann ZF 101. 
1888 Stuttgart - 1943 Baden-Baden.
«Helle Mittelfigur». Bleistift und Wachskreide/Papier. Eine blau gekleidete Figur dem Betrachter den Rücken zuwendend, dahinter einer Figur in Gelb sowie weitere schemenhafte Gestalten. Mit Bleistift u.l. 1736 (=17.03.1936) dat., u.r. Fragment eines Farbstempels. Verso abstrakte Bleistiftzeichnung. Zwei geklebte Einrisse. H. 15,7, B. 12,1 cm. Passepartout. Ungerahmt.
Der in seinen letzten Lebensjahren im kleinen Weiler Sehringen, ein paar Kilometer von Sulzburg entfernt, lebende Oskar Schlemmer thematisierte in seinen Werken vornehmlich die Stellung der menschlichen Figur im Raum. In seinen Werken strebte er nach universeller Harmonie und so entstanden zahlreiche Gemälde und Zeichnungen mit stereometrische Gliederpuppen, die homogen und austauschbar zu sein scheinen.
Provenienz: Nachlass des Künstlers; danach Privatsammlung Stuttgart.
Werkverzeichnis: Grohmann ZF 101.